My approach to costume design revolves around storytelling. I am deeply drawn to the idea of conveying narratives through clothing, guiding the audience through a journey that supports the text and the director’s vision, whilst also allowing for the costumes to breathe their own life and tell their own tale.

I discovered the world of Costume Design in the spring of 2022 and fell hopelessly in love, leading to my embarking on the interesting journey of taking it on as a second masters, in addition to Theatre Studies, at Illinois State University. Through my academic tenure, I’ve had the privilege of designing costumes for a diverse array of productions, including Men on Boats by Jaclyn Backhaus, Frankenstein adapted by Alexander Utz, A Midsummer Night’s Dream by William Shakespeare, and various dance performances.

I believe that each costume serves as a vessel, reflecting the character’s past, present, and sometimes even their future, encapsulating their joys, pains, weaknesses, and strengths.

As a growing theatre artist, I appreciate the subjectivity of literature, recognizing that each person brings their own interpretation to the story being told. This appreciation translates into a collaborative spirit, where I eagerly seek the perspectives of my collaborators to craft a cohesive production that resonates with everyone involved.My artistic mission is to continue to refine my style while remaining faithful to the unique requirements and aesthetics of each production. I aspire to design costumes that hold meaning and enhance the narrative tapestry of every performance.

My other interests in the field include wardrobe management and pedagogy and I am always on the lookout to explore these interests through actively working in the theatre, and stepping into the classroom as an instructor.