More About Me
Jenefas Okonma
My approach to costume design revolves around storytelling. I am deeply drawn to the idea of conveying narratives through clothing, guiding the audience through a journey that supports the text and the director’s vision, whilst also allowing for the costumes to breathe their own life, tell their own tale.
I discovered the world of Costume Design in the spring of 2022 and fell hopelessly in love, leading to my embarking on the interesting journey of taking it on as a second masters, in addition to Theatre Studies, at Illinois State University. Throughout my academic tenure, I’ve had the privilege of designing costumes for a diverse array of productions, including Men on Boats by Jaclyn Backhaus, Frankenstein adapted by Alexander Utz, The Effect of Gamma Rays on Man-in-the-Moon Marigolds by Paul Zindel, and various dance performances.
I believe that each costume serves as a vessel, reflecting the character’s past, present, and sometimes even their future, encapsulating their joys, pains, weaknesses, and strengths.
As a growing theatre artist, I revel in the inherent subjectivity of literature, recognizing that each person brings their own interpretation to the story being told. This appreciation translates into a collaborative spirit, where I eagerly seek the perspectives of my collaborators to craft a cohesive production that resonates with everyone involved.
Having the added advantage of an enriched academic journey with coursework in Arts Administration and Theatre Studies contributes transferable skills to my journey that enhance my understanding of the broader context within which costumes can be designed and operated. Some of these skills include dramaturgical research and a comprehension of the work that goes on in other design areas, aiding collaboration.
My artistic mission is to discover and continue to refine my artistic style while remaining faithful to the unique requirements and aesthetics of each production. I aspire to transcend mere garments into purpose, imbuing them with depth and meaning to enrich the narrative tapestry of every performance.
Reviews
The costumes took into account each character’s personalities and journeys throughout the show and kept a consistent Victorian gothic approach. Okonma created a new and unique interpretation of Frankenstein in a way that honored Shelley’s vision and legacy.
Anonymous
This production pleasantly surprised me. I was expecting a great production, but I left the theater shocked and inspired. Frankenstein was definitely my favorite Westoff show I have seen so far. I thought the acting, lighting, sound, costumes, and set complimented each other very nicely.
Anonymous
Jenefas Okonma did a monstrously good job on costumes. She is really rockin’ the paisley in Act 2.
John D. Poling
The Pantagraph